Install this application on your home screen for quick and easy access when you’re on the go.
Just tap then “Add to Home Screen”
The panel invites proposals that characterise the praxis of witnessing political phenomena through art. The events witnessed might be fragments from the past, different images of history, or connected to the contemporary political world. For instance, the spectacles of horror or violence are often witnessed in the way that remains only as part of individual, personal memory. The potential sphere of politics opened up by artistic testimony is thus a move towards new ways to understand political discourses. This may be an alternate view to a nationalist discourse, witnessing different art of state interventions, or representing conflicts in the public or private spheres (including gender issues) in the means of poetry, film or photography.
| Title | Details |
|---|---|
| The Artist as Witness in Dictatorial Regimes in Eastern Europe and South America | View Paper Details |
| Simulating the Cambodian Genocide - Rity Panh’s film S21: The Khmer Rouge Killing Machine (2003) | View Paper Details |
| Truth, Justice and Performative Knowledge. Chokri Ben Chikha’s Theatrical ‘Truth Commission’ on (Neo)colonial Injustices | View Paper Details |
| Occupied Art: Encounters Between Politics and Arts | View Paper Details |