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With the focus on artfulness we invite contributions, which ponder the political meaning and relevance of art both in its more conventional forms, and where it is not expected to emerge or be sensed. “Unexpected art” includes various forms of insinuation and indirect and subtle forms of engagement or movement, which however can be interpreted politically and understood to shed light on resistance as a corporeal and sensuous political practice. What are the possibilities that sense and the body bear for alternative imaginings of resistance and politics? How is it possible to move from theoretical and methodological debates to grounding the potential that the emerging (global) political landscapes carry with them? We hope to receive contributions which are not only theoretical but empirically informed.
| Title | Details |
|---|---|
| Calais goes Combat Wombat: Beats of Resistance at a Borderzone | View Paper Details |
| Trauma Body: Resisting National Identity and Creating a Community of Compassion | View Paper Details |
| Art Squats Today between Recuperation and Obliteration | View Paper Details |
| Performing Consumption/Non-Consumption: Fictitious Consumer Identities in Critical Consumer Resistance | View Paper Details |
| Something out of Nothing: Notes on the Invisible Dog (Mission by a NY-Based Prank Group Improve Everywhere) | View Paper Details |
| A doll called Barbara and other forms of Dismaying Agency: Acts of Resistance, Creative Writing and the “R” of IR | View Paper Details |