ECPR

Install the app

Install this application on your home screen for quick and easy access when you’re on the go.

Just tap Share then “Add to Home Screen”

ECPR

Install the app

Install this application on your home screen for quick and easy access when you’re on the go.

Just tap Share then “Add to Home Screen”

Look Who’s Watching. The Audience in Political Representation.

Democracy
Political Theory
Representation
Power
Eline Severs
Vrije Universiteit Brussel
Eline Severs
Vrije Universiteit Brussel

Abstract

Recent work on political representation has effectively extended our understanding of representation practices – to include also non-elected representatives – and has introduced a grammar of representation that provides new levels of analytical purchase (e.g. Saward 2006; 2020). Audiences are an elementary part of this new grammar but remain largely overlooked in empirical analysis. Studies predominantly focus on claim-makers, their staged performances, and the content of representative claims. This paper seeks to clarify what is revealed and elided by scholarly tendencies to put the analytical spotlight on claim-makers. Central to the paper’s discussion is a press conference delivered by Gwendolyn Rutten, chairwoman of the Flemish liberal party, on the evening of its electoral defeat in May 2019. Video footage allows for comparing the on-stage performance of politicians with the audience’s reaction. The availability of video material on the party’s Facebook page facilitates the formation of a second, online audience that exceeds the limitations of the live event. Their critical reading back of claims radically alters the meaning of the live performance and degrades it to a self-congratulatory performance by ‘out-of-touch’ political elites. The finding that representation, as a relationship, depends on a ‘coming to understanding’ (Weigand 2019) shared between claim-maker and audience calls into question the linearity underpinning the contemporary grammar of political representation, and signals the need for closer theorization of audiences as co-producers of representation; as opposed to being simply the recipients of representative claims.